To take full advantage of this site, please enable your browser's JavaScript feature.
Learn how
Search site:
Submit Search
Helpful Links
Login
/
Register
|
My Account
|
Checkout
www.cayambismusicpress.com
1 to 3 Players
Solo Works
for piano
for one string instrument
violin or viola
cello or double bass
guitar
for one wind instrument
flute or piccolo
oboe or english horn
clarinet
bassoon
saxophone
for one brass instrument
for one percussion instrument
for one vocalist
Solos with Keyboard or Harp
Brass
trumpet
horn
tuba
String
violin
viola
cello or double bass
Voice
Wind
flute or piccolo
oboe or english horn
bassoon
clarinet or saxophone
Duets
for winds
Flute or Piccolo
Oboe or English horn
Clarinet
Bassoon
for brass
for percussion
Trios
with piano
without piano
4 to 6 Players
Quartets
with piano
without piano
for strings
for winds
for brass
Quintets
with piano
without piano
Brass Quintets
Wind Quintets
Mixed Quintets
Sextets
with piano
without piano
7 to 12 Players
with piano
without piano
Large Ensembles
Concert Band
Orchestra
Young String Orchestra Series
Regions
North America
Canada
Louis Michiels
Mexico
Ricardo Castro
Demian Galindo
United States
Domenico Brescia
Kent Holliday
John L. Walker
Laurel Zucker
Central America / Caribbean
Cuba
Alejandro García Caturla
Jose Lezcano
Masters of the Fin de Siecle
Nicaragua
Geoffrey Alvarez
Panama
Carlos Camacho
Andres Carrizo
Eduardo Charpentier
Roque Cordero
Dino Nugent
Samuel Robles
Puerto Rico
Juan Morel Campos
Johanny Navarro
Armando Luis Ramirez
South America
Argentina
Julián Aguirre
Gerardo Dirie
Federico Echave
Jacobo Ficher
Alberto Ginastera
Federico Nunez
Adriana Verdie
Brazil
Edson Beltrami
José Brandão
Harold Emert
Oscar Lorenzo Fernandez
Alexandre Levy
Francisco Mignone
Alberto Nepomuceno
Fernando Oliveira
Jailton de Oliveira
Henrique Oswald
Alexandre Travassos
Heitor Villa-Lobos
Chile
Rene Amengual
Jose Aranda
Rodrigo Herrera
Nicolás Kliwadenko
Alfonso Leng
Carmela Mackenna
Juan Orrego-Salas
Domingo Santa Cruz
Rene Silva
Enrique Soro
Colombia
Raul Ardila
Nicolás Hernández
Andres Poveda
Alba Triana
Ecuador
Jannet Alvarado
Marcelo Beltran
Leonardo Cardenas
Jacinto Freire
Jorge Oviedo
Ivan Salazar
Peru
Renzo Bracesco
Sadiel Cuentas
Daniel Cueto
Gonzalo Garrido Lecca
Antonio Gervasoni
Alvaro Ponce de Leon
Jose Maria Valle Riestra
Nilo Velarde
Alvaro Zuniga
Uruguay
Eduardo Fabini
Bruno Goyeneche
José Serebrier
Venezuela
Miguel Astor
Josefina Benedetti
Alfredo del Mónaco
Jorge Diaz
Blanca Estrella
Luis Ernesto Gomez
Andres Levell
Juan Lopez-Maya
Daniel Oropeza
Luis Perez Valero
Juan Bautista Plaza
Juan Francisco Sans
Miguel Angel Santaella
Masters of the Fin de Siècle
Europe
Domenico Brescia
Henri Brod
Gustave Vogt
Community
Artist Program
Nicaulis Alliey
Walter Aparicio
Kimberly Davis
Maurita Murphy Marx
Ondas Ensemble
Dorotea Racz
Cayambis Institute
Commissioning New Music
Copyright and Licensing
Country Resource Pages
Latin American Classical Notes
Latin American Voices
Cayambis Music Press talks with Alba Fernanda Triana
Cayambis Music Press talks with Antonio Gervasoni
Cayambis Music Press talks with Carlos Camacho
Cayambis Music Press talks with Demian Galindo
Cayambis Music Press talks with María Granillo
Cayambis Music Press talks with Samuel Robles
Newsletter
Orchestral Music Rental
Performance Competition
Recognition
The Student Corner
Cart
Search site
Close search
Submit search
Nav Menu 2
About Us
Returns
Shipping
Site Help / FAQ
Nav Menu 3
Nav Menu 4
Nav Menu 5
Nav Menu 6
Nav Menu 7
Nav Menu 8
Anauco, by Miguel Santaella
Alternative Views:
Miguel Santaella, Anauco
Our Price:
US$
29.60
Availability:
Usually Ships in 24 to 48 Hours
Qty:
Summary
Extended Description
CMP 1773
Quintet for oboe, clarinet, bass clarinet, alto saxophone and bassoon.
Grade 5+. Approx. duration: eight minutes.
Set includes score and five parts.
The bucare tree (Erythrina fusca), characterized by its coral-red flowers, is widely grown for various purposes throughout the tropical regions of the Americas. In Central America there are a number of commonly used names for this tree; in Venezuela, for example, it is known as the arauco. This same word, however, is also used in reference to one of the old creeks that feed the Guaire River, which flows through the valley in which Caracas is located.
This work was intended as a mental journey to the composer’s hometown, to revive its sounds, colors and smells, from the hectic daily routine of cosmopolitan Caracas to the calm, fresh, humid and moonlit evenings that can be seen from the hills that surround the city. This notwithstanding, the work is not programmatic; rather, the composer has written a work that for him serves as a personal reminded of the nicer things he experienced many years ago.
An array of fifths, sixths and thirds, as well as ostinatos and unusual rhythms build the horizontal material that populates the ecosystem of the piece. These elements are disseminated throughout the score regardless of whichever section in which they may be found, thus creating a bursting blend of textures that helps to create the soundtrack for that mental trip to wherever makes you happy... and, in the end, the mixture of techniques and expressions recalls the end of that nostalgic moment, sprinkled with the floating echoes of the main rhythmic motif.
For more by this composer...
... click here to go to Miguel's composer page
.
Share your knowledge of this product.
Be the first to write a review »